• Street Team

     

    Having a street team to help you promote is one of the most effective ways to make people aware for your band and upcoming events. Many think that you have to be a record label or a huge promotions company in order to start up a street. In reality anyone can start a street team. All you really need is a little bit effort, creativity, and a lot of patience.

    1. Recruit, Recruit, Recruit.
    Start small and then expand gradually. A good place to start is by going to the ones who are most interested in helping you out such as family members and friends.

    Sarge Tip

    Don’t prejudge anyone. Consider everyone as a potential member of your street team. You may be surprised that your most loyal fan can turn out to be the most valuable member of your team.

    2. Have Strong Incentives To Participate
    Always have incentives to ensure your team members stay motivated and feel appreciated. You can offer members free merchandise, show tickets, backstage pass, VIP access, or maybe even pay them.

    Sarge Tip

    Get creative, have competitions, make some custom T-shirts, and most importantly ask your team members for their input on what they might want.

    3. Give Members Clear Instructions and Guidance. Be hands on and give team members clear task and instructions on what they are expected to do. Require members to generate reports (with pictures) as proof of what promotional materials they delivered, and which locations they covered.

    Sarge Tip

    Create a newsletter designated exclusively for team members. Remember you want to be as detailed and in-depth as possible when assigning task and responsibilities.

    4. Communication is Key.
    Communicate with the team on a regular basis and try to have face-to-face meetings whenever possible.

    Sarge Tip

    Make things simple and use technology to your advantage. Google Drive, online meeting software, and text message reminders, can all be very useful when communicating with your team.

    5. Incorporate Social Media Promotion.
    Have your street team help with online promotion as well. Have them share events and pages with their Facebook friends, and Twitter Followers.

    Sarge Tip

    Make sure you have a public Facebook and Twitter page dedicated to your street team. This will make it easier to attract new members, and to gain the interest of promoters.

    Author's Note

    You don’t want to overwork anyone on your street team. Understanding that even if there are strong incentives, if you have team members who are “burned out” they won’t be as enthusiastic or productive. It’s also important to remember that some people may be seasonal and members are going to come and go. That’s why it’s important to always be recruiting for new members, and to not stress too much over losing old ones. Lastly, never make anyone on your team feel uncomfortable. Different people have different strengths find out where the members fit best within the team, and avoid forcing someone to do anything they don’t feel comfortable doing.

     

    Compiled by Ernest Sallee

  • Copyrights

    Sarge_jokersPAYattention Your band is a business and the product is your music. Protecting both from being used by other parties who could make money on your creativity and hard work is a serious part of the business. Registering for a copyright on your music provides protection from having it used by others without your permission.

    1.What is a copyright anyway?
    A copyright is a form of protection provided by the laws of the United States for the original works of authors and artists, giving them the rights to their published and unpublished music and other intellectual works. What that means is that as the creators and writers of their original music, a band can keep exclusive rights to their work, including how and where it is distributed, who can distribute it, and who they allow to use it for other purposes. For more details on the purpose of the copyright, see http://www.copyright.gov/circs/circ01.pdf.

    2. Who started the idea of the copyright?
    Actually the first copyright laws were passed in England way back in 1710 with the Statute of Anne. The statute was created to encourage writers to continue their literary contributions by protecting them from others who would steal their works for their own financial gain. England had the good sense to see that by protecting the author’s rights, these talented people would be able to make a living as writers and contribute more works to society.

    Sarge Tip

    If you are interested in the history of the copyright process, check out this link for more info: http://www.copyrighthistory.com/anne.html.

    3.How does a copyright happen?
    Here’s the easy part; you actually have a copyright as soon as you or your band documents original work. The means of documentation can be as simple as writing down the lyrics on a napkin, recording the music in the garage, or the combination of both. Registering your copyright is what proves ownership of the material.

     Here’s where it gets tricky; determining who actually owns the songs. Are they owned by the band as a single entity? Are they owned by the individual contributing band members? Is the recording owned by the producer? What about the sound engineer and the session musicians can they claim ownership in the creative process?


    Sarge Tip

    The band members need to have some conversation and agreement early on in the creative process to decide who will have ownership of the songs. Understand that there are typically two types of copyright that may apply; one for the original music and one for the sound recording. In this article, we are generally referring to sound recordings..

    4. Get prepared for the copyright process


    1. The band determines amongst themselves the ownership (author) of the songs and the recordings.

    2. Establish the “creation” date with the recording process. A “creation” date will be required for your copyright applications.

    3. Be sure to have two master copies for submission to the U.S. Copyright Office. Keep the original master in a safe, secure location. Do not send the original with your copyright application documents.

    Sarge Tip

    Do NOT rely on the “Poor Man’s Copyright”. This is the method that some people believe is as good as actually registering with the U.S. Copyright Office; whereby you mail a copy of the CD to yourself. Remember you already have a copyright once you document your music, but the formal registration is what proves you have the copyright and gives you statutory benefit in case of a dispute.

    5. How to register for a copyright:


    1. The most common way is to register on line at http://www.copyright.gov/.

    2. Complete the Form SR, which can be used to register one song or the entire CD

    3. Pay the registration fee of $35.00

    4. Submit two copies of the recording

    5. Be patient; generally the processing time is 3 to 5 months

    6. Use the copyright symbol, i.e. “copyright © 2002 John Doe”. You do not have to wait until the registration is confirmed by the Copyright Office

    7. Store Copyright paper work in a safe, secure location with your master copy of the recording.

    Read more about the process here: http://diymusician.cdbaby.com/2013/05/how-to-copyright-your-music/
    If you are serious about your music, and of course you are or you wouldn’t have read this far; you don’t want to wait until your music takes off making money and then find that there are a multitude of entities that can claim rights to the creation of the music and subsequent album sales.  Please note, this article should not be taken as legal advice. This is meant to give you the basics on why copyrighting is so relevant to your band and some resources to find out more about it. We recommend that you seek professional legal counsel before entering into the copyright process.

    Compiled by Rose’s DamnedOpinion