• Planning a Tour Budget

    So, let’s say you’ve got shows booked in several different cities, maybe even different nearby states…. What to do now? What is it going to cost? Planning the budget for taking your show on the road can be a daunting task; but we’ve gathered some information and good solid ideas for you to consider before hitting the highway…

    1. Transportation: Obviously you need wheels to get where you’re going. The ultimate is to have one vehicle to carry the band and all the gear. If your band is fortunate enough to already own a tour vehicle… that’s great. However, most new unsigned bands don’t have the perfect tour vehicle yet and will need to consider the expense of renting a vehicle and/or trailer.

    Sarge Tip

    Be as certain as possible that the vehicle is in good repair. Have the vehicle serviced by a good mechanic before you travel. A major motor vehicle melt-down when you’re on the road and don’t have the time or cash to fix it, can put a screeching halt on the entire tour!

    2. AAA: AAA Is a good investment for about $95.00 per year. Having a AAA card will definitely help get you back on the road if you have a flat, run out of gas, or any number of crazy unexpected little things that can happen when traveling.

    3. Insurance: Definitely be sure the vehicle’s insurance is paid and covers any potential incidents. Your instruments and gear are another story. A separate policy is advised to insure against loss, damage or theft of your equipment. Contact your insurance provider for more information on exactly what is and is not covered by the vehicle’s insurance. http://rockrevoltmagazine.com/band-aid-101-musical-instrument-gear-insurance

    Sarge Tip

    Make sure your designated driver is paying attention to the road and speed limits. Tickets are expensive!.

    4. Fuel and Mileage: Calculate your mileage and fuel costs ahead to make sure you know how much it’s going to cost you to get from point A to point B, C, D, and home again. With gas prices averaging around $3.00 per gallon, this is a hefty part of the tour budget. Using a fuel /mileage calculator site like http://www.fueleconomy.gov/ will help a lot in your planning.

    5. Tolls: Check and re-check your route…. Are there toll roads involved? While they may be the most fuel saving routes, do not forget to have toll money available. Toll cards like E-Pass or Sunpass can aslo be extremely beneficial when traveling.

    Sarge Tip

    Plan your route… carefully. Map it out so you can calculate mileage, fuel costs, toll expenses, as well as the nearest accommodations to each venue..

    6. Food: Hopefully the agreement with the venue includes some food and beverage for the band. If not, you still need to eat. Typically, the cash needed for food is about $20.00 per day, per person. We suggest packing some non-perishable groceries to take with you and finding out what’s available near the venue and hotel ahead of time.

    7. Accommodations: Chances are, you won’t have family or friends in every city that can put the band up for the night, so hotel frequent stay plans can help you save some dollars on room rates. Most hotel/motel chains have them. You just need your manager or one band member to sign up and be responsible for the reservations. Make reservations in advance so you know how much you’re spending and where you’re going to crash after the show. It’s great if you can get the frequent traveler card with a hotel chain that offers free breakfast!

    8. Parking: Check in to possible parking fees for each venue, or hotel parking lot. This can be an overlooked and unexpected expense that can really add up.

    Sarge Tip

    Consider the safety of the vehicle. Park in a well-lit area, preferably right outside of the room or at least within view from the room.If you are towing a trailer with a roll up door, park it against wall if possible..

    9. Venues: Do as much advance research on the venue as possible. You will want to know if Wi-fi is available, occupancy, stage dimensions, noise ordinances, sound technicians, and what equipment does each venue already have, and if there’s a green room for the band. Check out their websites and Facebook pages for pictures and comments. Make contact with the other bands playing, they may have good information for you and become great contacts later on.

    10. Merchandise: Don’t carry all of your merchandise with you. Leave some of it at home. If you need more while on the road, you can have someone from the home base send it out to you. Set up your merch table at each venue early.It let’s people know you are making your way along the tour by selling your stuff. And don’t be the first to take your table down at the end of the show.

    Sarge Tip

    Check out our Music Advice 101 article on Merch Sales: http://musicadvice101.com/merch-table-sales .

    Compiled by Rose’s DamnedOpinion

  • The Different Types of Record Deals

     

    Every musician dreams of the day they are offered a record deal. It’s the golden ticket to a life of fame, fortune, and luxury, right? Well, not always, but getting a record deal is an important step in advancing your music career. However, It’s important to know, that there are many different types of deals out there, and the key is finding the one that best fit’s with your current needs and long-term goals. Here are a few of the most common record deals that you see being offered today.

    1.The Major Label Deal- This is the big one! A major label gives you a lot of money up front (known as an advance), to cover all the cost of creating an awesome album. The major labels have all the tools to promote your album and make you the next superstar. Be careful though, these major labels don’t have much patience. If your album doesn’t do well they won’t hesitate to drop your contract.

    Sarge Tip

    It’s important to know that all royalties you earn from album sales will go towards paying back the advance, until you’ve paid the label back fully. So be sure to spend your advance money wisely!.

    2. The Independent Label Deal- This deal is very similar to the major label deal. The difference is that independent labels are smaller so they give their artist less advance money than a major label would. The good thing about and indie label is that they work very closely with the artist and you will have more creative control over your albums. There are tons of indie labels out there, and the chances of getting a deal with one is much higher than trying to get signed by a major label.

    Sarge Tip

    Just because you’re signed to an independent label, don’t think you can’t still make it big. If Adele, Taylor Swift, and Macklemore can become stars while signed to an indie label you certainly can too! .

    3.The distribution Deal- Also known as a P&D Deal (pressing and distribution), this deal is most common for artists who have had success on their own and want to stay independent. You agree to let a record label help you manufacture, distribute, and promote your album, and in return the label gets a percentage of the sales profits (normally around 25%). Remember, that in this type of deal you don’t get an advance so you’ll have to come up with the money to produce, record, and market the album yourself.

    4. 360 Deals- Also known as equity deals, participation deal, or multiple rights deal, this is the most common deal artists are offered today. In a 360 deal the label makes money not just from music sales, but from almost everything the artist does. The label gets a portion of profits generated from touring, merchandise, books, movie/TV appearances, basically anything the artist makes money from, the label gets a piece of it. This seems like a bad deal for the artists, but it does give the label even more incentive to support your career and to push you to make lots of money in every way possible.

    Sarge Tip

    Everything in a record agreement can be negotiated, depending on how much you bring to the table, and how bad the label wants to sign you. Lastly, before you sign anything make sure you have an entertainment attorney look it over first!.

    Compiled by Ernest Sallee